280 Royalty-Free Audio Tracks for "Music Part"

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Opening and closing the cutlery drawer. -----------these sounds are part of the compose with sounds kitchen soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

There is a new freeware program called splitte. Aithat will take any piece of music and extract parts from it. It is highly inaccurate when trying to really accuratelysurgically remove, say, bass, drums, guitar or vocal tracks,but it creates some really trippy artifacts. All of these sample were from a live jazz tune that we were playing. The results of splitter splitting the tracks were really weird and ethereal. I have no affiliation with splitter. Ai, by the way, i just stumbled on it thisweek.

A music part i did in garageband for something called victors crypt. Made drums and a synth-melody first. Added flute and more to make it even more vivid. Think it would suit anything spooky. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

The military song "Genkō" written and composed by Kenshi Nagai. Sung by Tamaki Tokuyama and the JVC Male Chorus, performed by the JVC Brass Band. By JVC, October 1937. The "Genko" part of the original sound.日本語: 永井建子作詞・作曲の軍歌『元寇』。歌唱は徳山璉・日本ビクター男声合唱団、演奏は日本ビクター吹奏楽団。ビクター、1937年10月。元音声の『元寇』の部分。

A tense but pretty still athmosphere created with a number of tools by me. Got some subtle movement in it and consists of several major parts. If you need a particular section of it, then use volume, proximity vst and reverb automation to smooth edges out. You can listen to my music at http://vospi. Com/.

Car driving past on a quiet lane. -----------these sounds are part of the compose with sounds external soundpack. Compose with sounds is a software program for young composers (and composers of all ages) who would like to learn how to compose with sounds, and not focus on the traditional manner of music making with notes. Compose with sounds is available free of charge. It runs on mac osx (from 10. 6), windows xp and windows 7. For more information and to download the software visit: http://cws. Dmu. Ac. Uk/en/1.

Harp player from gambia, africa playing the chora, a typical harp used in gambia or senegal, in western africa, by the so called "griot", a singer, storyteller, singing songs and stories, thus beeing part of the oral tradition of his country and people. The recording was made during the berlin carnival of cultures in the summer of 2011, the harp player and the drummer (djembe) were sitting among the crowd of listeners open air at the bluecher platz. Zoom h4n.

Part 8 (a drum cadence followed by the last strain of "The Stars and Stripes Forever") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 18 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.

This was meant to be a part of a track i was working on, but ended up getting caught up in something else. So, i decided to give this away to those of you who may have use for it. The most important effect used to make this was absynth 5's atherizer. If anyone needs any of my sounds (or sounds not yet uploaded) customized to meet their preferences, please feel free to let me know, and i'll see what i can do.

Recorded on september 4, 2020 on an ipad. Some parts or maybe even all of it may sound like just noise to some people. It was recorded in a government fenced in square. So there are buildings on 3 sides of my location and a gated entrance at the front. It is mainly drums that are played for a dragon dance. These dances are performed at special occasions, such as a new business opening. There is a troop of about 8 people there to perform the dance. For the first half of the recording, the two dragons (four people) were preparing and they were actually performing the dance for the second half of this recording.

I created this instrumental while i was messing around on audacity one day and i actually used it to record a song called "erbie bowser" feel free to look it up on youtube. The instrumental includes whistles, claps and a voice loop all performed by myself. The only un-authentic part added was a risset drum. Feel free to use this for whatever i request that you give me credit if you chose to do so.

It's my voice and i sing do, re, mi, fa, sol for my game. You can change the file as mix, like nightcore version, child version, chorus version, funny man version, etc. In my christmas game, i need voice for my 5 little angels sing for hints( that's the reason why i only sing 5 music notes), just edit the file from each part!. And i record it only use microsoft audio recorder application( default application).

The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

Ocean waves recorded from between two rocks. Recorded on a zoom h4 with the mics covered in zeppelin fur at 44100 hz 24-bit. There's some slight wind noise that can be filtered from 150hz downward. This is part of a series of recordings for an ambient music project i'm working on. There are some excellent ocean recordings on freesound if you're looking for a more traditional ocean sound, but my intent with these clips was to try to capture some natural phase-shifting by placing the h4 in cracks and crevices for a more hollow, "closed-in" sound.

A music part i did in garageband for something called victors crypt. I borrowed a crazy laughter here on freesound to begin the tune with. After that i made a beat and some guitars over it. I kept adding sounds to get a spooky cool vibe. Could be useful for intros/outros, pods or whatever. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!. //v. Natas.

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

Rootsy solo mandolin cue, part of a "matched set" to be used in different places in a podcast, radio show, or video. The set contains segments from a second or two up to about a minute, to be used for cues, hits, bumps, interstitials and voiceovers. The music is a roundback mandolin from 1900 improvising in the key of g. The feel is uptempo, traditional, natural, organic, old time, americana. I'd be grateful for feedback on what worked and what didn't. How is the sound quality? are there lengths of cue that you needed that weren't here?. I'm happy to do custom recordings to fill in the gaps. My music blog is at http://soupgreens. Om. My email address is lucas@gonze. Com.

Title/Work: Cantate No. 189 (BWV 189) Content: Disc 23A: Meine Seele rühmt und preist (Part 1) Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

Did this little piece of dark instrumental music in garageband for a thing called victors crypt. Came up with this drumbeat and added strings, guitar, bass and piano on top of it. Named it "darkest hour" cause it has this dark doomy "world is going under"-element to it i think. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a creepy part for instance. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Items used:• electric guitar: cort x100 open pore black• guitar pedal: ksr ceres (ceres – 3ch preamp pedal – ksr amplification®). The file is phased. The right channel is delayed 25 ms (milliseconds). It is part of my death metal guitar folder pack.

Music i made in garageband for something called victors crypt!. Made a melody on organ along with a steady pumping bass. The mid part is a bit "flippet out" before it gets locked in and back againfeel free to use it. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

A music part i did in garageband for a thing called victors crypt. I started with the drums. Once i made a beat i liked i added a choir singing "fading into the night". After that i added more synth-sounds and guitar to make it feel more spooky. Would suit anything creepy i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!//v. Natas.

A bit of music i made in garageband for something called victors crypt. It's a bass-driven bit with 2 parts, like vers and chorus. First it's a big-sounding piece with strings, guitars and a lot of sounds with delay. The other bit is more "naked" with the bass coming thru. Think it would work as an intro to anything. Or in a scary pod, film, game or whatever you can think of. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Este sonido es el de unas maracas de las que se utilizan en la parranda venezolana. La maraca es un instrumento musical de percusión, formado por un recipiente hueco elaborado a partir de un fruto leñoso o de material plástico, dentro del cual se introducen cuentas, y que se agita para marcar el compás. Este sonido fue grabado como parte de una entrevista realizada a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "this sound is that of some maracas used in the venezuelan parranda. The maraca is a percussion musical instrument, formed by a hollow container made from a woody fruit or plastic material, into which beads are inserted, and which is stirred to mark the beat. This sound was recorded as part of an interview with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized. " see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

Recorded with my squier telecaster and squire mini-bass through the focusrite interface into reaper. A nod to kenny gioia for the reaper tips. The guitar was sent through the walrus slo pedal on 'dream' setting. Also added a pitch change to compliment some of the guitar parts. The bass was double tracked for better sound. Bass amp is a behringer bxl1800. Comments welcome. Bartolome calatayud was born in 1882 on the island of mallorca, received in 1899 the diploma of honor 1st class granted by the workers instructive center palma for his "superior musical knowledge in guitar playing". Although less famous in the classical guitar world, bartolome calatayud has left much enjoyable and exciting music written for classical guitarists of all abilities. He taught many pupils in majorca during his final years. He died in 1973 at the age of 91.

A thrilling music part based on strings and guitars. Made in garageband for something called victors crypt. Could be used in something fearful and creepy. Like a horror film or a mysterious pod for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

maze (looking for the exit) is a short piece of mysterious music i made in garageband for a thing called victors crypt. I kept it basic and made a melody on synth. Played around with it with different sounds and added drums and bass. Just a simple little instrumental part that could fit a spooky 'n eerie project. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A short music part with a touch of horror and suspence i made in garageband for something called victors crypt. I think this would be perfect to anything frightening, mysterious, paranormal or horrific. Could be used as an intro for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Down the slopes with famillies in a french ski ressort. Children are playing and laughing, adultes are talking, sledges are sliding on the snow. Some rare understable french words. Light faraway musical ambiance from a cafe. La clusaz, france, 2021 during covid-time (no ski lift). Recorded with a pair of clippy em172 in ab set up (40cm)recorded on sounddevice mixpre6stereo wave, 24 bits, 48khz. Part of the sound work "dur la neiz":https://soundcloud. Com/user-876924050/dur-la-neige.

1st release date: 1937 1st recording date: 29 November 1936 Place of recording: Abbey Road Studios, EMI Studio No. 1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Luigi Boccherini (1743-1805) Lyricist(s): - Conductor: Landon Ronald (1873-1938) Performer(s): Pau Casals (Cello) (1876-1973) and the London Symphony Orchestra Vocal range: instrumental Title/Work: Cello Concerto in B-flat major, G.482 Content: 3rd Movement (Part 1): Rondo (Allegro) Genre(s): Cello concerto Comments: RCM and ELP

A dark bit of music i made in garageband for something called victors crypt!. It's basically two guitars with a lot of twang and reverb doing the main part. A piano is lying on a massive chord with some tones in between. It's dark, eerie and full of murderous vibes. Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Did this bit of spookiness in garageband for a thing called victors crypt. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a thrilling suspence part or an eerie scary sequence. Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Short comment about why i donate to a nonprofit student-oriented radio station (c89. 5/knhc) operated from nathan hale high school in seattle, wa (us), for possible airplay - but maybe useful (in whole/part) for your creative project. Recorded into adobe audition using a blue snowball usb mic, with some (hopefully minor/not noticeable) noise reduction. Phonetic word list for possible clip extraction: my name is stuart jay whitmore and i'm a writer in the seattle area i donate monthly to see eighty nine point five because support educational mission also like listening to music while work on books.

Rough clean-up of the sounds :https://freesound. Org/people/yarmonics/sounds/445956/recorded by http://www. Yarmonics. Com/ https://freesound. Org/people/yarmonics/. I deleted parts with handling noise and normalized the sound. For a quick drag and drop in a video editing project and such. It's not perfect and i may have missed some handling noise hence "rough cleanup". But it's a bit better :)if this will be background noise in a video/music, you'll probably lower the volume and the handling noise will become much less apparent. Don't hesitate to eq out the lows too. Fritton lake, norfolk uk. Enjoy.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.

This if a sound i made a while ago. Sort of sloppy, yes, but i like it, and i hope you do, too. I do appologize for the back noise on the background music. And, yes! that is me doing the narration after a bit of vocal processing. (those screaming guys around -00:22:348 are not me. I love that part!) you can download that background song for free by clicking this link: http://www. Incompetech. Com/m/c/royalty-free/index. Html?keywords=truth+of+the+legend. That was a royalty-free song, so you have no cause for worry. If you wish to make a movie out of this, you may. Traintrack bob 1 & 2 don't even exist. Yet. Made with audacity.

Came up with a drumbeat in garageband and soon after a bassline that fit the drums. Added "satan", some handclaps and oriented kind of sounds. Also did a darker mid-part to make a feeling of something bad happening. Did it for something called victors crypt on youtube. Think it would fit to anything dark and cool. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

echoes from an age of misery is made in garageband for a thing called victors crypt. I wanted something massive and huge sounding with a certain groove and swag to it. But instead of going straight to the fat bass / big drums-part i made a quiet little intro before it kicks off. I made the drums with both sampled drums and a drum-machine to make it big. And i use 3 different basses. For a little extra spice i put some strings and stuff on it. Would fit anything big, dramatic and scary!!!. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929

A music piece i made in garageband for something called victors crypt. It's basically a melody with rvil children in the back singing it. Parts in the bit is a little disturbing, like they've done soething bad. I imagine them singing and then doing something nasty to someone and continue singing again. Devils children. I think it would fit perfect to anything spooky or anything else. You'll be the judge. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!//v. Natas.

Did this thrilling groovy piece of music in garageband for a thing called victors crypt. It starts off with a kind of wicked hard disco-beat. A four on the floor stomping groove. Then a bass line comes in and develops, getting more groovy, more tones. A midpart/breakdown before it goes up into a hard groovy four on the floor disco-beat again. The difference between the mild version and the spicy version is that there is more stuff coming in on the spicy version. Starts off the same but in the midpart there is more going on with guitars, piano, synths and stuff. And afterwards there's a bit of "jammy" section leading to the end. The mild version is more basic, no messing around kind of. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a thrilling suspence part where someon's beeing chased or are in a hurry for instance. . . Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Did this thrilling groovy piece of music in garageband for a thing called victors crypt. It starts off with a kind of wicked hard disco-beat. A four on the floor stomping groove. Then a bass line comes in and develops, getting more groovy, more tones. A midpart/breakdown before it goes up into a hard groovy four on the floor disco-beat again. The difference between the mild version and the spicy version is that there is more stuff coming in on the spicy version. Starts off the same but in the midpart there is more going on with guitars, piano, synths and stuff. And afterwards there's a bit of "jammy" section leading to the end. The mild version is more basic, no messing around kind of. Think it would work great to a game, youtube-channel, episode, movie or whatever you feel like. Could be perfect in a thrilling suspence part where someon's beeing chased or are in a hurry for instance. . . Feel free to use it as you like as long as you subscribe to and watch my channel :). Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.